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Sound Clips
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Grace 3.0 Clip 1 (812k) - mp3 Recorded by Gary Burchett. |
Big Daddy Clip 1 (559k) - mp3 |
Little Gem Clip 1 (148k) - mp3 Strat - Little Gem - 2x12 cab - mic - sound card (software reverb) |
Little Gem MkII Clip 1 (223k) - mp3 Strat - Little Gem MkII - 2x12 cab - mic - sound card (software reverb) |
May Queen 2 Clip 1 (183k) - mp3 Clip 2 (162k) - mp3 Clip 3 (108k) - mp3 Clip 4 (107k) - mp3 guitar - effect - Bulldog Cab Sim - sound card (some software reverb and flanging) |
Tube Reamer Clip 1 (501k) - mp3 Clip 2 (198k) - mp3 Clips 1 and 2: 0% Drive, 50%, Gain 100% Gain guitar (bridge pickup) - effect - sound card (software cab sim) |
Phozer Clip 1 (354k) - mp3 Clip 2 (354k) - mp3 Clip 3 (167k) - mp3 Clip 4 (331k) - mp3 Clip 1: min. Resonance, three Rate settings Clip 2: max. Resonance, three rate settings Clips 3 and 4: wah mode, max. Resonance guitar - effect - sound card - software cab sim |
Double D Clip 1 (80k) - mp3 Clip 2 (157k) - mp3 Clip 1: Jiggle Channel, 50% Gain. pretty guitar - effect - AMZ Cab Sim - sound card Clip 2: Bounce Channel, 100% Gain. guitar - amp - mic - sound card - Freeverb |
Peppermill Clip 1 (149k) - mp3 Clip 2 (198k) - mp3 Gain at 9:00 for both clips pretty guitar (bridge pickup) - Peppermill - Bulldog cab sim - software reverb |
Thunderchief Mono (804k) - mp3 Stereo (1.36M) - mp3 Rhythm: Gain at 50%, guitar vol. at 8 Melody: Gain at 60%, guitar vol. max HB equipped guitar - Thunderchief - Cab Sim - software reverb |
Matchbox Clip 1 (264k) - mp3 Clip 2 (409k) - mp3 Clip 1: Dual HB guitar - effect - Randall SS amp (set for clean, all Tone controls at max.) - slight reverb 1st: clean amp, Matchbox bypassed 2nd: Tone Pos. 1, Cut max., Vol. 50% 3rd: Tone Pos. 3, Cut min., Vol. 75% 4th: Tone Pos. 6, Cut max., Vol. 100% Clip 2: pretty guitar (bridge pickup) - effect - Bulldog Cab Sim - sound card Tone SW Pos. 2, Cut max., Vol. 25% |
Mockman 2.0 Clip 1 (237kB) - mp3 (bridge pickup) - Classic mode Clip 2 (320kB) - mp3 (neck pickup) - Classic mode Clip 3 (319kB) - mp3 (bridge pickup) - Classic, then Modern mode Clip 4 (281kB) - mp3 (bridge pickup) - Classic mode LP copy - Mockman 2.0 (U1=JRC4558, Cx=470p) - Ampeg Rocket II - mic - mixer - software reverb |
Splitter-Blend 2.0 Clip 1 (181k) - mp3 Clip 2 (153k) - mp3 Clip 3 (181k) - mp3 Clip 1: Ross Phaser panned to Akai Intelliphase Clip 2: same as above, but out of phase Clip 3: Blue Box panned to Scrambler Clips 1-3: Casio VL-Tone keyboard - effect - Bulldog Cab Sim - sound card |
Splitter-Blend 2.0 Clip 4 (191k) - mp3 Clip 5 (179k) - mp3 Clip 6 (179k) - mp3 Clip 4: Nurse Quacky at 50% mix, then phase inverted Clip 5: Vox wah, heel down at 50% mix (slight software reverb) Clip 6: Vox wah, toe down at 50% mix (slight software reverb) Clips 4-6: pretty guitar (bridge pickup) - effect - Bulldog Cab Sim - sound card |
Professor Tweed Clip 1 (548k) - mp3 Clip 2 (776k) - mp3 Clip 1: Strat (bridge/middle) - Professor: Volume 30%, Tone 50% - Randall SS amp - mic - sound card - software slap delay Clip 2: Strat (neck) - Professor: Volume 100%, Tone 100% - Randall - mic - sound card - software reverb |
Eighteen Clip 1 (386k) - mp3 Clip 2 (323k) - mp3 Clip 1: Dual HB guitar - Eighteen: Volume 100%, Tone 50% - Randall SS amp - mic - sound card - software reverb Clip 2: (left channel) pretty guitar (bridge pickup) - Eighteen: Volume 60%, Tone 75% (right channel) proto guitar (bridge pickup) - Eighteen: Volume 100%, Tone 75% cab sim - software reverb |
The English Channel Clip 1 (821k) - mp3 Dual HB guitar - English Channel (many different settings) - Randall SS amp - mic - sound card - software reverb |
Uno Clip 1 (751k) - mp3 Dual HB guitar - Uno: Volume 10, Treble: 7, Mid: 10, Bass: 5, Randall SS amp - mic - sound card - software reverb (settings noted in 1-10, not clock style) |
Flipster Clip 1 (805k) - mp3 Danelectro Longhorn - Flipster - sound card |
Umble Clip 1 (808k) - mp3 Clip 2 (440k) - mp3 Clip 1: Volume 50% (tonestack tests) Clip 2: Volume 75% Both clips: guitar - Umble - SS Randall - mic - soundcard (some software reverb) |
Condor Cab Sim Clip 1 (612k) - mp3 both pickups - direct, Condor, Condor with software reverb Clip 2 (148k) - mp3 neck pickup - Condor at 50% Gain, then 100% Gain Clip 3 (198k) - mp3 both pickups - Tube Reamer direct, then through Condor (50% Gain) |
Condor Cab Sim Clip 4 (109k) - mp3 neck pickup - Tube Reamer direct, then through Condor (50% Gain) Clip 5 (211k) - mp3 both pickups - Sili-Face direct, then through Condor (50% Gain) all clips recorded with pretty guitar |
Mr. EQ Clip 1 (472k) - mp3 all off, LO, HI, LO + HI Clip 2 (445k) - mp3 all off, MID cut, MID boost, MID boost + HI Clip 3 (353k) - mp3 With Bazz Fuss: same order as Clip A Clips 1 - 4: Pretty guitar - Bazz Fuss (Clips 3 and 4) - Mr. EQ - Condor (stock notch, 25% Gain) - soundcard |
Mr. EQ Clip 4 (348k) - mp3 with Bazz Fuss: all off, MID cut, LO and HI, LO + MID cut + HI Clip 5 (426k) - mp3 all off, LO, MID boost, LO + MID boost Clip 5: Jazz Bass (both pups on) - Mr. EQ - Fender RAD Bass amp (all tone controls at 50%) - mic - mixer - soundcard |
Thor Clip 1 (580k) - mp3 recorded by Martin Lister, a.k.a. MartyMart Both guitar parts: Bottom switch off and Bright switch on. Rhythm guitar: Strat front pup, Thor at 75% Gain. Lead guitar : Yamaha AE820 HB bridge pup, Thor at max. Gain. Recorded with Behringer DI using 4x12 cab sim. Reverb and delay added, overall mix slightly compressed using UAD Fairchild compressor. No other EQ or processing on the guitar parts. |
Thor Clip 2 (553k) - mp3 Clip 3 (461k) - mp3 Both clips: Bottom and Bright switches on, max. Gain. HB bridge pup - Randall SS Amp - 4x12 - mic - mixer - soundcard. Software reverb and delay added, slight compression and limiting. |
Omega Clip 1 (321k) - mp3 bypassed, min. Range, 50% Range, max. Range Clip 2 (498k) - mp3 bypassed, min. Range, 50% Range, max. Range Clips 1 and 2: Tele bridge pup - Omega - Musicmaster Bass amp - mic - sound card. Clip 2 features the Omega driving the Thor set to 50% Gain, Bottom on, Bright off. |
Omega Clip 3 (498k) - mp3 bypassed, max. Range, min. Range Clip 3: HB equipped Strat - Omega - modded Valve Jr. - 4x12 cab - mic - sound card - software reverb |
Tonemender Clip 1 (226k) - mp3 Clip 2 (383k) - mp3 Both clips follow the order of bypassed, then Fender, Marshall, Vox modes. For Clip 2, the Sili-Face was placed before the Tonemender and both pickups were on. Pretty guitar (Clip 1: bridge pup only) - Tonemender - Condor Cab Sim (Marshall notch, gain at 25%) - sound card - software reverb |
Supreaux Clip 1 (1MB) - mp3 (left) pretty (bridge pickup) - Volume 12:00, Tone 3:00 (right) pretty (neck pickup) - Volume 12:00, Tone 9:00 (lead) pretty (neck pickup) - Volume 5:00, Tone 12:00 Ampeg Rocket II - mic - mixer - software reverb |
Supreaux Clip 2 (751k) - mp3 Dual HB guitar - Supreaux: Volume 5:00, Tone 12:00 - Randall SS amp - mic - sound card - software reverb |
Supro 16T amplifier Clip 1 (1MB) - mp3 (left) pretty (bridge pickup) - Volume 12:00, Tone 3:00 (right) pretty (neck pickup) - Volume 12:00, Tone 9:00 (lead) pretty (neck pickup) - Volume 5:00, Tone 12:00 guitar - Supro 16T - mic - mixer - software reverb |
| NOTE: Supreaux Clip 1, Supreaux Deux Clip 1, and Supro 16T Clip 1 all use the same settings and song to facilitate comparison of the amp and the two FET-based distortion projects that were inspired by it. |
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Supreaux Deux Clip 1 (1MB) - mp3 (left) pretty (bridge pickup) - Gain 12:00, Tone 3:00, Bottom off (right) pretty (neck pickup) - Gain 12:00, Tone 9:00, Bottom on (Cx=8n2) (lead) pretty (neck pickup) - Gain 5:00, Tone 12:00, Bottom off Ampeg Rocket II - mic - mixer - software reverb |
Supreaux Deux Clip 2 (1MB) - mp3 (rhythm) pretty (bridge pickup) - Gain 12:00, Tone 3:00, Bottom off (faux bass) pretty (neck pickup) - Gain 2:00, Tone 7:00, Bottom on (Cx=8n2) (lead) pretty (neck pickup) - Gain 5:00, Tone 12:00, Bottom off Ampeg Rocket II - mic - mixer - software reverb |
Supreaux Deux Clip 3 (1MB) - mp3 (rhythm) pretty (bridge pickup) - Gain 5:00, Tone 3:00, Bottom on (Cx=8n2) (lead) pretty (neck pickup) - Gain 5:00, Tone 5:00, Bottom on (Cx=8n2) Ampeg Rocket II - mic - mixer - software reverb |
22/7 Clip 1 (987kB) - mp3 Clip 2 (821kB) - mp3 Clip 3 (924kB) - mp3 settings: Gain 50%, Tone 50% mode is set to Scoop, then Classic, then Flat Clips 1 and 2: bridge Tele pup Clip 3: neck HB pup pretty guitar - 22/7 - Ampeg Rocket II - mic - mixer |
Tri-Vibe Clip 1 (572kB) - mp3 Rate 15, Depth 14, clean - Vibe - Whirl - Swirl Clip 2 (164kB) - mp3 Rate 14, Depth 14, Vibe Clip 3 (236kB) - mp3 Rate 15, Depth 14, Whirl Clip 4 (184kB) - mp3 Rate 11, Depth 17, Swirl Note: settings are given in 24-hour clock notation: minimum is 7 and maximum is 17 setup: Epiphone Genesis neck HB - TriVibe - Fender Champion 110 SS amplifier with hint of reverb - condenser mic at 1 foot - mixer - sound card |
Ginger Clip 1 (426kB) - mp3 Gain 11, Bass 14, Treble 10 Clip 2 (508kB) - mp3 Gain 15, Bass 12, Treble 12 Clip 3 (606kB) - mp3 Gain 17, Bass 17, Treble 17 each clip includes a bypassed passage for reference Note: settings are given in 24-hour clock notation: minimum is 7 and maximum is 17 setup: Fender Jazz Bass (both pickups) - Ginger - Fender RAD Bass SS amplifier with EQ controls at 12 - mic - mixer - sound card |
Ginger Guitar Clip 1 (639kB) - mp3 neck pickup - Gain 12, Bass 10, Treble 13 Guitar Clip 2 (348kB) - mp3 bridge pickup - Gain 13, Bass 12, Treble 11 Guitar Clip 3 (631kB) - mp3 neck pickup - Gain 15, Bass 10, Treble 13 Note: settings are given in 24-hour clock notation: minimum is 7 and maximum is 17 setup: pretty guitar - Ginger - Fender RAD Bass SS amplifier with EQ controls at 12 - mic - mixer - sound card |
UBE Screamer Clip 1 (457kB) - mp3 bypassed, Gain 9, Tone 12; Gain 12, Tone 12; Gain 3, Tone 12; Gain 15, Tone 9; Gain at 15, Tone at 15. setup: pretty guitar bridge pup - UBE Screamer - close-miked Ampeg Rocket II, reverb off - sound card |
Azabache Clip 1 (401kB) - mp3 Tone 12, Gain 15, Bright On, Scoop Off Clip 2 (438kB) - mp3 Tone 9, Gain 13, Bright On, Scoop On Clip 3 (631kB) - mp3 Tone 12, Gain 12, Bright Off, Scoop On Clip 4 (737kB) - mp3 Tone 10, Gain 12, Bright Off, Scoop On Note: settings are given in 24-hour clock notation: minimum is 7 and maximum is 17 Clip 1 uses a Parker PM20 (LP-style) bridge pickup, Clips 2-3 are a Strat bridge pickup, and Clip 4 is a Strat neck pickup setup: guitar - Azabache - Behringer 2x10 - condenser mic at 1 foot - mixer - sound card |
Britannia Clip 1 (1.15Mb) - mp3 Gain 13, Treble 14, Bass 12, Brilliance 9 Clip 2 (1010kB) - mp3 Gain 14, Treble 13, Bass 17, Brilliance 15 Clip 3 (825kB) - mp3 Gain 17, Treble 7, Bass 15, Brilliance 17 Note: settings are given in 24-hour clock notation: minimum is 7 and maximum is 17 Clips 1 and 3 are a stock Strat, Clip 2 is a Parker PM20 (LP-style) setup: guitar - Britannia - Behringer 2x10 - mic - mixer - sound card |
Britannia Clip 1 (3.08Mb) - mp3 Gain 12, Treble 12, Bass 12, Brilliance 12 Clip 2 (2.37Mb) - mp3 Gain 17, Treble 7, Bass 7, Brilliance 7 Clip 3 (7.02Mb) - mp3 Gain 17, Treble 17, Bass 7, Brilliance 17 Note: settings are given in 24-hour clock notation: minimum is 7 and maximum is 17 Strat PAF-style bridge pup - Britannia - direct box - soundcard - software AC30 cab sim |
Thunderbird Clip 1 (3.37Mb) - mp3 Gain 17, Tone 17, Top 17, Bottom 17, Presence 17 Clip 2 (2.01Mb) - mp3 Gain 15, Tone 15, Top 13, Bottom 15, Presence 12 Clip 3 (1.65Mb) - mp3 Gain 12, Tone 12, Top 13, Bottom 12, Presence 12 Note: settings are given in 24-hour clock notation: minimum is 7 and maximum is 17 Clip 1: VH-style guitar, Clip 2: Strat, Clip 3: Parker PM20 all clips: Thunderbird - direct box - soundcard - software 4x12 cab sim |